No stranger to exploring the evolution of menswear, Xander Zhou’s AW19 showcase is centred on an extra-terrestrial future characterised by bionic design, impeccably-dressed humanoids and fur-babies.
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No stranger to exploring the evolution of menswear, Xander Zhou’s AW19 showcase is centred on an extra-terrestrial future characterised by bionic design, impeccably-dressed humanoids and fur-babies.
Liam Hodges’ AW19 proposal is an interdimensional take on the erasure of identity and digitisation of the self within a dystopian future.
Setting up camp in an Alpine scene with Danish label, Wood Wood, whose AW19 collection presentation at Men’s LFW exhibited a comfortable liaison of luxe skiwear and utility-inspired silhouettes.
Designers and Central Saint Martin’s graduates, Dan and Shan, showed their third collection and deconstructed the place where gendered behaviour begins, at school.
Michiko Koshino intertwined her Japanese roots with the American past and incorporates luxury sports outfits into wearable fashion.
Harry Xu explored contrasts at the ICA Nash and Brandon Rooms among mirrored spheres, reflective PVCs and effeminate drapings.
Founder Duncan Barbour used strong storytelling techniques to incorporate the brands rich motorcycle heritage, from photographs projected on the walls to vintage t-shirts hanging down from the ceiling.
An 80’s futurism throwback at Blood Brother presentation among old school computers and office furniture.
