We offer both editorial and advertising opportunities for our upcoming Issue 2, available in print and digital formats.

 
 
“THIRD IMPACT” envisions a future where an advanced quantum AI is tasked with preserving life on a dying planet. When an unforeseen event wipes out all organic matter, the machine, once an instrument of salvation, finds itself alone. Wi
If Not To Give A Fantasy reduces hardcore to its most physical and precise form. Kilbourne isn’t chasing volume or speed—she’s interested in what happens when sound is stripped to its core. The tracks hold space long enough for te
Yugoslav Monument, Bravsko Year: 1970s Architect: Unknown Location: Bravsko, Bosnia and Herzegovina The Yugoslav Monument in Bravsko is one of many World War II memorials built across the former Yugoslavia to commemorate partisan resistance and v
‘I want a ticket to anywhere’ editorial on COEVAL Magazine Issue 0 “Out Of Place” Photography @katebiel Styling @wanna__b Make-up @kayli_rachelle Hair @earth.to.karen Models @raivenadriana at @wearethatagency Tattoo
‘Cirith Ungol’ editorial on COEVAL Magazine Issue 0 “Out Of Place” A special featuring @prototypes.ch Creative Direction & Photography @kurt____johnson Styling @thekimbino Make-up & Hair @alanalucky__ Producer @i
A catwalk between life and death? @avavav FW25 is all for the modern rave-ready athleticism, alive skeletons and sportsmanship ravers. ‘The Hole’ - The zombie nation - meets AVAVAV x Adidas, the collab forge showcased something extraor
Teresa Fernández-Pello on ’ COEVAL Magazine Issue 0 “Out Of Place” Teresa Fernández-Pello points to the lost connection between technology and spirituality, interrogating the notion of societal evolution through crit
@path_by_janinegrosche is a creative practice shaped by material research and experimentation, where latex, wax, and fabric evolve into sculptural skins, artifacts, and tactile expressions of transformation. Interview by @base.materialism
Violence and desire entwine in Tokyo’s shadows, where a yakuza enforcer finds someone who might redefine his limits of suffering in this Ichi the Killer editorial. Creative Direction / Photography @ioannes____ Styling @tatsuyashimada1984 St
‘Future Ghost Town’ editorial on COEVAL Magazine Issue 0 “Out Of Place” Photography @jasonrenaud Talent @jamiesonpearl Styling @cassidyflorencejane Make-up @becomingeden Hair @jenelleno.5 Photo Assistant: @blueacmes E
‘A Body Is A Broken Performance’ editorial on COEVAL Magazine Issue 0 “Out Of Place” Photography @aytekinyalcin Creative Direction & Styling @base.materialism Make-up @roscinomakeup Hair @dvhclub Casting Director @el
Vitalii Akimov for COEVAL Magazine Issue 0 “Out Of Place” photograpy @vitali_akimov talents @artde666enerate & @tatkatysheva make-up @catalinasartor_ Editor-in-chief @donaldgjoka Fashion Director @base.materialism Art Director
‘Cirith Ungol’ editorial on COEVAL Magazine Issue 0 “Out Of Place” A special featuring @prototypes.ch Creative Direction & Photography @kurt____johnson Styling @thekimbino Make-up & Hair @alanalucky__ Producer @
@freekatet interview on COEVAL Magazine Issue 0 “Out Of Place” Freeka Tet reshapes everything he touches. His projects in video, sound, and programming refuse to settle, pulling both from subversive corners and pop culture’s core.
@timjacobus interview on COEVAL Magazine Issue 0 “Out Of Place” Tim Jacobus’ work is etched into the memories of a generation. His covers for Goosebumps weren’t just illustrations; they were portals—strange, vivid, and
Marine Peilstand 4 Location: Guernsey, France Year: 1943 Architect: German Army Engineers Marine Peilstand 4 is a concrete observation bunker built during World War II as part of Germany’s Atlantic Wall defenses. Positioned on the cliffs of
@700x100 interview on COEVAL Magazine Issue 0 “Out Of Place” In conversation with Donald Gjoka, Vittorio Maria Dal Maso reflects on AI, spirituality, and human consciousness, seeing technology not as an autonomous force but as a mirror o
Mercedes-Benz Museum Elevator Year of Construction: 2006 Architect: UNStudio The Mercedes-Benz Museum elevator features a sleek, industrial design with exposed concrete and glass, complementing the building’s raw architectural aesthetic. I