All in backstage
Shadows raised from the post-Soviet concrete silhouette and out marched a gang of perfectly casted prodigies. Dressed in acrylic tracksuits, heavy silver chains, stuffed in Fila sweaters and mullet cuts, Gosha took us back to a school yard somewhere in the Soviet union in 1984.
Cottweiler’s catwalk presented an almost apocalyptic vision of something between a ruined hotel resort and cracked alien egg shells.
Bondage and biblical influences created a certain oriental beauty at the Craig Green show. He took us on a pilgrimage to far off lands.
Freedom was the greatest inspiration for Lou this season and for her that means Walking. So what would make your hike into something unforgettable other than lightweight sheer patterned tops and black silky trousers?
There were not only pleats for this season at the Issey Miyake FW16 show but also playful contrasts of volumes and bright colors, carmine red predominates, but also the yellow, green, purple and blue.
There was a hip-hop and cyber inspired atmosphere at the Wanda Nylon FW16 show. We could even imagine a new "Daryl Hannah" Blade Runner walking down the catwalk, dressed up in high red vinyl boots with a black cape and a pair of maxi shades. The warrior ladies are back!
Since Y/Project's identity has become quite unisex looking, Glenn Martens decided to focus on feminine details for this women's wear collection by playing with proportions and silhouettes.
What we saw at Lea Peckre's show this women's fashion week was a sporty gothic/punk. Every detail was a mix between a casual garment and a bondage curling that signed the body.
This fall collection confirmed the peculiarity of the brand, attention to details. Silhouettes played with oversize volumes, overlaps and a mix of fabrics.
Remembering nature. Facing extinction. In a nod to the anomalies of craft, Damir Doma proposes a collection threaded with fragile tension, imbued with respect for serendipitous moments (both random and precious).
The show opened with an all black outfit but Salvatore then broke boundaries as the rest of the show was dominated by a rich color palette and abstract patterns.
This is proper architectural fashion by Rodolfo Paglialunga who showed his fourth Jil Sander collection and landed a big hit.
Researching among Pucci’s archive and in his own DNA, Giorgetti found the synergy in sportswear for his second season at the established fashion house.
Voltaire said: "What needs an explanation is not worth explaining?” A contemporary mess of exactly what girls want to wear right now.
Inspired by the 1920’s radical feminist and creative-thinking European women who emerged between the two world wars.
Pretty grunge, Alessandro Dell’Acqua managed to mix a 30’s silhouette of silky slips in tulle and chiffon together with over sized tartan mohair pullovers, denims and leopard fur coats.
The show transformed into a reality show while videographers stalked the models around the scene and transmitted it directly to flat screens set up on the catwalk.
Claire created an art exhibition rather than a fashion show. The pieces became hand-painted and surrealistic canvas crinolines.
