Introducing “Double & Duality”, an exhibition on dichotomies and a visual dialogue between natural opposites.
All in art
Introducing “Double & Duality”, an exhibition on dichotomies and a visual dialogue between natural opposites.
By subverting the interfaces of softwares we use everyday, Katherine Frazer’s art practice demonstrates how to be the Creators of our own digital realm.
Digital sculptures and bodies with androgynous sexuality: SARGON KHNU tells us about gender fluidity in three dimensions.
Calculating Empires: a titanic, undismayed key to understanding technology and power in the centuries to today (and tomorrow). An exhibition conceived by researcher-artists Kate Crawford and Vladan Joler.
Sara Sadik's innovative exhibition at Spazio Maiocchi redefines art with futuristic narratives and transformative experiences.
An interview with artist Brandon Tay exploring machinic animism at the intersection between digital art and visceral 3D sculpture.
Esogenesi: Bridging emotions, technology; an exhibition transcending boundaries, inviting introspection, igniting profound contemplation.
Artist and acrobat Isabelle Wenzel on subverting traditional photographer-portrait sitter relationship in fashion and exploring the social aspect of our relationship to self-care, relationships, and work.
Janine Dollmann — “Stereotypes are like bad habits. They creep in slowly.”
Brooklyn-based multidisciplinary artist Naomi Nakazato surveys the conglomerate landscape of memory, semiotics and language through the usage of scientific and archival methods to describe the in-betweenness of being a queer, biracial person.
Carolina Papetti: an interdisciplinary artist dislocating her research between architectures and mental theatrical sets. The unsaid is what she aims at unveiling through an ambiguous, yet deviant language.
Mattia Sugamiele: contemporary art in the age of AI (r)evolution. The coexistence of physical and digital art as a portal to future realities.
Isabella Rosa's Hellraiser Editorial AI crafts a narrative of unparalleled strength, boldness, sophistication, and magic.
Exploring the “ikigai”, thus the Japanese concept that means 'reason for being'. Ikigai has nothing to do with the Western cult of busy, but rather with the with the cultivation of an inner potential at the service of humanity and collectivity.
The death may feel more important for the living, but sadly the existing life may not find its importance until seen otherwise. With intention on bringing light upon the fading wild life, Hanna Antonsson works on stirring emotions and evoking awareness for the flora fauna through her art works.
Paris-based artist Jimmy Beauquesne questions the positioning of drawing in the post-Internet era. Sacred and the pop figures mingle in a recontextualized narrative where fantasy leads a form of emancipation from art history subjects.
Pauline Rip shares her thinking behind the project “Elficology: The Harvesting of Morning Dew” and how eco-fairy as a genre can help us approach the climate crisis from a different perspective.
Maria Mavropoulou expands her photographic work to new forms of images, such as VR and screen-captured images, GAN and AI-generated images: an exploration into how we construct our digital identity and how we interact with the algorithms and their biases.
In conversation with Linn Phyllis Seeger, a “Cloud-based” artist bringing us through the cloud “as a warden of human memory”. What’s intimacy in the age of digital communication technology and across geographies and time zones?
“I would like to turn into a bot just to create work endlessly. The liberation of the weight of matter is interesting. The new electric souls have phenomenal powers, in addition to entering the era of high-tech robotics.”
