All in art
“I think creating animation in a game engine gives you a special malleability in your work, stemming from being able to work in an environment that is already rendered, alive, textured, lit up. It gives what you’re doing at the moment more opportunity for mistakes. It illuminates directions that wouldn't ordinarily have been taken if you were rendering out every frame through an ordinary 3d renderer.” - Jack Wedge
“I felt that there should be more space for credibly creating positive visions of the future, and that cultivating optimism would facilitate that process. I was keen to explore the idea but also had a personal and psychological need to hold onto, and intellectually advocate for its importance. As I interrogated the idea, I learned more about myself and how positivity can sometimes be oppressive.” - Matthew Stone on his exhibition ‘Optimism as Cultural Rebellion’.
“There are somewhat limitations in our physical world; however, we have great potential to explore a virtual world. We are at a turning point, our work suggests the change of our current era and aims to create value and purpose in the Metaverse” - NEW.EYRA
In the modern world, we are seeing a new influx of artists exploring digital and 3D creative explorations, especially since the pandemic hindering tactile processes. Artist Franco Palioff not only explores these modern ways of working, but addresses a duality in his work, as a creator of robotic creations, as well as a classic oil painter, considering the relativity between humanity and technology.
Nostalgia as the emotive dimension that ties up an intricate net of references - an open love letter to anime, tech aesthetic, dark fantasy and medieval folklore - in Bygone’s digital collages — artist and DJ from Adelaide, Australia.
BaoJiaXiang talks monetization of their music and their mantras “As I said, I don’t make music.”
Analysing the ties between facts, fake news and political phenomena, especially within right-wing populism, Emma Adler is a multimedia artist reflecting on the themes of virtuality and reality, the construction of truths and conspiracy theories.
Youada’s fuzzy paintings spotlight nostalgic symbols like Black Cat Detective and Sailor Moon: The Minnan region local talks doing graffiti in junior year and his childhood.
Introducing a personal mythology built up by merging different realms and temporalities, Enes Güç recount the ideas and process behind their visionary images, reflecting on the complexities of human fears and desires within universal life experiences. For Coeval, Güç presents for the first time a new collaborative project: Tondal’s Vision. The Valley of The Exhausted And Perspiring.
«Oscar Wilde once said, “Everything in human life is really about sex, except sex itself. Sex is about power.” As an unavoidable result of patriarchy, women constantly feel judged by their sexual partners, sex is considered as almost a special way to serve men and society, by becoming the carrier of children and a serviceable wife, instead of pure sensory enjoyment» - Boya Wen
Revealing about the ties of his hardware relics with environmental issues, the philosophy of extropy and human behaviours towards technological progress, Carlos Sáez open up about his shapeshifting practice and vision on the uncertainty of present times.
Nils Alix-Tabeling rethinks queer history, class warfare, and the culture at large with art & camp: “We probably would gain in comparing and studying how communist values are necessary to end colonial practices and ecologically threatening behaviours.”
Graphic designer and multidisciplinary artist, @uranorms, sparks a blast from the past in the best way possible. Whether it is through her typography, color schemes, or layouts, Maicha explores the aesthetics of vintage cyber-space and the contemporary Cloud.
Biohacking turns out as a site for care in Mary Maggic public workshopology and diy freak science protocols as queer resistance to the regime of purity.
The alchemic encounter of unleashed interactions: as the act of casting multiplicity breathes life into the works of the duo ASMA.
“Our brain is a mysterious thing and it already works far from the way the human brain worked in the 19th century. With the amount of visual information and experience that we receive, we are clearly different.” - Rinatto L’bank.
Alessandro Keegan (b. 1980) is a United States-based visual artist, writer, and adjunct professor with an MFA in painting and drawing from The School of the Art Institute of Chicago and a MA in art history from Brooklyn College. His works depict forms that straddle the lines between science, nature, technology, and mysticism, and have been exhibited in New York, Chicago, Philadelphia, The Netherlands, and currently in London.
“Art is an attempt to reconcile those with the struggle of just being human and alive.” - Owsley Wylyfrd
Circuit sensation and electronic sculptor, Brian Oaks, exposes the beauty buried in the bare bones of our devices – creating pieces that push the physical boundaries of what can be produced, and designing works which absorb and respond to their immediate environment.
Copenhagen-based artist, Stine Deja, blends 3D animation, exquisite installation, and an uncanny soundscape to physically transport her audience into impending dystopia. Tackling the uncertain future of humanity in increasingly techno-centric societies, her works are a reverend meditation on the flickering connection.
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