All in art
«Oscar Wilde once said, “Everything in human life is really about sex, except sex itself. Sex is about power.” As an unavoidable result of patriarchy, women constantly feel judged by their sexual partners, sex is considered as almost a special way to serve men and society, by becoming the carrier of children and a serviceable wife, instead of pure sensory enjoyment» - Boya Wen
Revealing about the ties of his hardware relics with environmental issues, the philosophy of extropy and human behaviours towards technological progress, Carlos Sáez open up about his shapeshifting practice and vision on the uncertainty of present times.
Nils Alix-Tabeling rethinks queer history, class warfare, and the culture at large with art & camp: “We probably would gain in comparing and studying how communist values are necessary to end colonial practices and ecologically threatening behaviours.”
Graphic designer and multidisciplinary artist, @uranorms, sparks a blast from the past in the best way possible. Whether it is through her typography, color schemes, or layouts, Maicha explores the aesthetics of vintage cyber-space and the contemporary Cloud.
Biohacking turns out as a site for care in Mary Maggic public workshopology and diy freak science protocols as queer resistance to the regime of purity.
The alchemic encounter of unleashed interactions: as the act of casting multiplicity breathes life into the works of the duo ASMA.
“Our brain is a mysterious thing and it already works far from the way the human brain worked in the 19th century. With the amount of visual information and experience that we receive, we are clearly different.” - Rinatto L’bank.
Alessandro Keegan (b. 1980) is a United States-based visual artist, writer, and adjunct professor with an MFA in painting and drawing from The School of the Art Institute of Chicago and a MA in art history from Brooklyn College. His works depict forms that straddle the lines between science, nature, technology, and mysticism, and have been exhibited in New York, Chicago, Philadelphia, The Netherlands, and currently in London.
“Art is an attempt to reconcile those with the struggle of just being human and alive.” - Owsley Wylyfrd
Circuit sensation and electronic sculptor, Brian Oaks, exposes the beauty buried in the bare bones of our devices – creating pieces that push the physical boundaries of what can be produced, and designing works which absorb and respond to their immediate environment.
Copenhagen-based artist, Stine Deja, blends 3D animation, exquisite installation, and an uncanny soundscape to physically transport her audience into impending dystopia. Tackling the uncertain future of humanity in increasingly techno-centric societies, her works are a reverend meditation on the flickering connection.
Designs that defy the laws of nature, simultaneously computing new laws of her own, digital garment developer ASCHNO is pioneering the fashion landscape of our virtual world. A vision enhanced by limitless potential, Liedtke’s pieces unlock the impossible.
Graphic elements and colours taken from software interfaces of everyday digital devices define the personal language of Aaron Scheer, a Berlin based visual artist who creates paintings and aquarelles by combining digital and analogue techniques.
Alienesque primordial life-forms with glass guts and silicon limbs inhabit unexpected spaces for speculation. Pakui Hardware’s installations are an open, metamorphic body that enables to reimagine the vulnerable boundaries of Nature and human identity.
Whether she is creating grand body-shields – embellished with tooth-flossers, flowers, and vitamins – or putting a personal and sublime twist on the composition of monuments, Amy Brener’s bright and revolutionary sculptures suspend and elevate elements of our everyday life.
With the concept of the metaverse and digital existences becoming increasingly relevant and popular to explore, artist LLYAZEL combines digital processes with pop culture references to create 3D environments that tease this concept of an online presence. With a focus on visually depicting futures in which humanity evolves into the 3D, their work helps us speculate and consider what is waiting ahead for us in terms of not only artistic endeavours, but our own existences and fate.
Weaved with a serene visual direction emitting poetic temperance on the story of clay and pottery artists of India, Mati Manas is a film of a story untold.
“It’s about physical engagement in slimy and gloopy material, creating a sense of suffocation, turning the body into a kind of visceral mound of slapstick energy” - William Cobbing
Munich-based artist Shejtano plays with blending the human and the divine, much like a year 3000 re-edition of the Divine Comedy.
Celebrated visual artist Helin Sahin creates digital sculptures which challenge the fabric of our reality, utilizing natural elements to reflect and expand upon her own subconscious, as well as transform elements of her past and memory into the surreal future of 3D art.
