Dhruv Bandil
Saoking in the entire emotional and spiritual force of south asian country of India, Dhruv Bandil found his inspiration from the social space of his culture. Often spent time in temples and the intricacies of the land’s heritage, Dhruv’s design direction took path for experience which is beyond the physical garment.
Dhruv, please take our readers through you background a bit ? (culture, growing up years, academic background)
I am from Morena, Madhya Pradesh, India. I went to the National Institute of Fashion Technology, Mumbai to pursue my Bachelor of Design in Fashion. As a designer, I am fierce about my commitment to innovate and conceptualize while challenging human anatomy with hyperbolic silhouettes which provide colourful alternatives to existing realities.
I have always admired one of the most prominent names in Indian fashion — Manish Arora, the former head of Paco Rabanne. After graduating from NIFT I was fortunate to join his design team as an assistant designer and was promoted to the position of senior designer in a year. While working with him I learnt a lot about fashion being a group effort in realizing an individual's approach. He was a fantastic mentor who always pushed me to go further in developing my own practice.
Dhruv , As you win MFACSM L'Oreal Professionnel Creative Award, judged by Katie Grand. Lets gets on to your collection and let readers truely know what went into putting it together
The creation of this collection was a collaborative effort, with the support and contribution of many individuals. From skilled artisans who meticulously crafted each piece, to mentors who provided guidance and inspiration, and friends and family who offered encouragement and feedback, this endeavor was truly a collective journey. Their diverse perspectives and expertise enriched the collection, infusing it with depth and meaning. It is a testament to the power of collaboration and community, highlighting the beauty that emerges when people come together to create something meaningful and impactful.
Dhruv, As we move into more sustainable and avant garde space in 2024. What fashion really means to you and what made you really take this path? What intentions you hold for the industry ?
I have admired self-expression in tiny but well-thought-out forms throughout my Childhood. The way the women would drape their saree, the clothing in local tableaux, and sculptures at temples— all have been and are still a major part of my creative consciousness. I believe this consciousness is the one that demanded a career in fashion from me
Lets talk about art to wear and your idea behind the collection. What is the story ?
In the rural areas of India, there are numerous archeological sites where deities reside. Sculptures representing sexuality, divinity, strength, and artistic expression can be found in many temples in my state. These sculptures reflect traditional roles and feminine power, while also subtly highlighting the significance of women. These are the characters I am reimagining as "Art Addicts" for the collection. These individuals never gave up their crayons. They inject themselves with raw, provocative energy and rebel against conventions and norms. In order to make textiles, I am also examining the paintings of Jamini Roy. I find myself gravitating toward his graphic boldness and ornamental proportions. I especially want to include Jamini's effortlessness and folk playfulness in the collection because they are significant elements of his work.
The world is becoming more fluid and more colourful, which is also pretty evident with your work. Dhruv, take us through your creative process, what kind of sustainable or innovative practice you underwent to make this Happen?
One can say it is a 'drip-dyed' collection. I developed a - 3-D cotton-cord jewelry-like interior beading, inspired by the intricate carvings of 11th-century Shiva temples in my local region. Each piece reflects a fusion of ancient artistry and contemporary design, embodying a narrative that transcends time. The colors dance with life, echoing the rich hues of tradition while embracing modern flair. This collection is a testament to the beauty found in cultural heritage, meticulously crafted to celebrate the timeless elegance of our artistic legacy.
What music artists helped you to get through it all ? Shout out to anyone new ?
Throughout the collection, I was listening to Rishab Rikhiram Sharma, a Sitarist, his music really calms me down.
Last but not least, What plans next? What you looking forward to do after this sweet success ?
In the future, I hope to create not only a brand but a worldview that people can experience. The idea is to create an alternative environment that questions existing industrial practices and demonstrates the power of clothing to embrace new ideas about identity, culture and history.
DHRUV BANDIL
Interview JAGRATI MAHAVER
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