“There are somewhat limitations in our physical world; however, we have great potential to explore a virtual world. We are at a turning point, our work suggests the change of our current era and aims to create value and purpose in the Metaverse” - NEW.EYRA
“How does clothing, like yourself, get around from place to place? How do shoes or bags commute? Are humans vehicles? Are we their car? Private driver? Or could a group of us be equal to being something like a bus? Or are we their energy... like fuel, oil, gas? It is trippy to think but, is clothing the driver of us or are we the driver of our clothes?” – VeniceW
Who’s your Daddy? Papped Mag / Papa Fashion is wise-guys’ guide to being an Art Director – as explained by creative director Laura Vandenbergh herself. The Milan-based project stars DAD – Laura’s own father – as his introduction to the editorial scene becomes his modeling debut.
Both foreign and familiar, both material and dreamlike, the world of videographer Bilal Al Hasan is one you cannot help but be lost within. Poetic narratives and surrealist editing choices entice you to open your third eye.
Cats, Charms, and Avant-garde jewelry: The pervasive whimsy behind Chinese label YVMIN’s highly sought after pieces.
In the modern world, we are seeing a new influx of artists exploring digital and 3D creative explorations, especially since the pandemic hindering tactile processes. Artist Franco Palioff not only explores these modern ways of working, but addresses a duality in his work, as a creator of robotic creations, as well as a classic oil painter, considering the relativity between humanity and technology.
“When I did in a wider sense realize the stark uniqueness of the landscape and culture I am from, they became strong aspects of my personal and social identity and I started bringing this part of my identity into my music. It is still possible to find semblance and witness obscure anomalies within the culture, language, and local characters of Ladakh” - Ruhai Qaisar
“Human is mortal. And as new technologies develop, no wonder we are more and more fascinated by topics such as body enhancement and post-humanism. I find it so interesting and decided to treat my project as a sensory prosthesis augmenting the wearer’s senses” - Iga Węglińska
Nostalgia as the emotive dimension that ties up an intricate net of references - an open love letter to anime, tech aesthetic, dark fantasy and medieval folklore - in Bygone’s digital collages — artist and DJ from Adelaide, Australia.
BaoJiaXiang talks monetization of their music and their mantras “As I said, I don’t make music.”
Analysing the ties between facts, fake news and political phenomena, especially within right-wing populism, Emma Adler is a multimedia artist reflecting on the themes of virtuality and reality, the construction of truths and conspiracy theories.
Youada’s fuzzy paintings spotlight nostalgic symbols like Black Cat Detective and Sailor Moon: The Minnan region local talks doing graffiti in junior year and his childhood.
Do You Believe in Magic retells a story of natural disorder in nature’s bedrock and hillsides.
Introducing a personal mythology built up by merging different realms and temporalities, Enes Güç recount the ideas and process behind their visionary images, reflecting on the complexities of human fears and desires within universal life experiences. For Coeval, Güç presents for the first time a new collaborative project: Tondal’s Vision. The Valley of The Exhausted And Perspiring.
Textiles and tactics find new harmonies through the work of rising fashion designer Jules Bramley (they/them). With a deliberately developed in-brand universe and a strong sense of community and purpose, Bramley replicates natural uniqueness and earthly splendor.
“SCRY means ‘looking into the future through a crystal ball’ and I think this meaning made what we were doing very romantic.” - Zixiong SCRY Lab
Celebrated Czech photographer Dita Pepe is an artistic chameleon, seamlessly blending into family portraits and filling fictitious roles in her journey to harness community and intimacy – both in front of the camera, as well as behind it.
Introducing Retail Pharmacy, your one-stop shop for aesthetic healing. Buy an outfit, fix your life.
«Oscar Wilde once said, “Everything in human life is really about sex, except sex itself. Sex is about power.” As an unavoidable result of patriarchy, women constantly feel judged by their sexual partners, sex is considered as almost a special way to serve men and society, by becoming the carrier of children and a serviceable wife, instead of pure sensory enjoyment» - Boya Wen
The film Ningwasum, follows two time-travelers Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction. The art piece explores the notion of time, space and memory, how realities and the sense of “now” could be different for different communities. Drawing from Adivasi Futurism, Ningwasum imagines a future from Indigenous perspective where they have agency, technology, sovereignty and their indigenous knowledge, culture, ethics and storytelling still intact.
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