Shiny silks and velvets, salamander prints and colourful sporty sweaters showed off at the Katie Eary Fall 2017 show while remembering the 70s golden ages.
All in backstage
Shiny silks and velvets, salamander prints and colourful sporty sweaters showed off at the Katie Eary Fall 2017 show while remembering the 70s golden ages.
Big fury wool coats dominated the catwalk and the models hid under caps, hoodies or scarfs.
Alex Mullins presented a total nineties throwback and a playful patchwork transformed into deconstructed workwear for adventurous men.
Nine graduate designers showcased their collections at the London College of Fashion MA17 Menswear.
Ferrari Concept was born in Berlin one year ago and is based on the idea of Ferrari's concept of total aesthetic perfection.
Girl power ruled the show at Lutz Huelle that was kept in the underground space of Palais De Tokyo. Neon colors and oversized constructed shoulders met camouflage, lace and jeans. Contrasting textures styled with sparkling accessories.
Graphical prints in bright powerful colors with an ethnical vibe were placed on the soft and geometrical shapes of Issey Miyake that swept across the runway.
Virgil Abloh celebrates the contemporary business woman this season and once again establishes his female crowd.
Rick Owen's desert beauties hit the catwalk with a dusty color palette and his creations created sculptural shadows down the runway.
Vejas Kruszewski was in the mood for urban synthesization this season and wanted to avoid the language of historical necessity. Classical pieces were blended with more abstracted sense of utility wear.
A monochrome dominated collection of blacks, whites and plum with elements of striped and checked on a base of red. A poetic but rough attitude was shaped by the soft, loose and asymmetrical silhouettes with ribbon details and a variation of textures.
Wanda Nylon's girl gang attacked wearing futuristic 80's inspired pieces. Shiny metallic textures and transparencies mixed with technical fabrics, created audacious and feminine silhouettes.
First day of Paris Fashion Week closed with a celebration to femininity as Glenn Marten's put together his unique designs of draped dresses, elaborated sleeves and necklines and deconstructed pants.
Aalto's Spring collection marched out from what looked to be a graphical sunset. Contrasting colors in purple, blue, orange, bronze and green matching moomin fiabesche inspired prints.
Koche turned Les Halles into a 90's rave catwalk when a perfectly casted crew of models suddenly popped out among the crowd of people in the mall and walked around freely to loudly played techno.
Purity and sophistication dominated this season at the Lucio Vanotti show where he once again presented the essential wardrobe by doing more with less.
Redefining shapes of visual layering with foldings and gatherings creating bold soft volumes in monochromatic silhouettes from the whole color palette.
Wolfgang Joop exaggerates the femininity by interpreting the sensuality of Spanish Baroque. He presents a rebellious woman dressed in luxurious men’s fabrics, fluid slip dresses and contrasting colors.
From what seemed to be a 70's disco club emerged in red dimmed lights, transformed into an almost spiritual vintage story of velvets, prescious flower embroderies and princess silhouettes worn together with macro shaded glasses. Alessandro Michele made the flowers whisper.
The dutch denim master presented her genderless SS17 collection by turning it into a real redneck party. Sophie’s cowboys were wearing boots together with deconstructed denim pieces inspired by the wild west.
