Two Dots makes music the way a fist hits a wall. Raised in Alpine quiet, sharpened in Parisian raves. The sound always knew who it belonged to.
Two Dots makes music the way a fist hits a wall. Raised in Alpine quiet, sharpened in Parisian raves. The sound always knew who it belonged to.
With Smooth Operator, Villiam Miklos Andersen questions the very idea of comfort, stripping it of any reassuring automatism. In his practice, what welcomes us is never entirely innocent: well-being, rest, and care are always also the product of structures that discipline bodies, regulate behavior, and define who is truly allowed to feel included within a system.
Gottfried Helnwein makes you look at what most people prefer to ignore. His first major retrospective in Spain opens now at SOLO Independencia, Madrid.
Vittorio Valigi begins with subtraction. His design logic, whether for a client or an exhibition, operates by removing what does not belong until only the irreducible remains. Ten years of living inside an altered body taught him exactly what that means.
Florian Picasso grew up in the industry before he grew up at all. DJ, label founder, creative, always one step ahead of where he just was.
Alessandro Aprile’s first solo show exhibition at MATTA in Milan unfolds as a suspended field: bodies surface and dissolve, thresholds flicker, and painting becomes a slow emergence of unstable, shared states of being.
The West was built on a story. This exhibition, running at 10·Corso·Como until April 7, lines up the photographers who believed it, and those who knew better.
In this conversation for MoMu’s landmark exhibition, Geert Bruloot revisits the moment when Antwerp changed fashion, including the Six’s remarkable road trip to Pitti in Florence.
PLASTIC PRODUCT understands something that function alone never could: where sensibility wants to rest. It goes there first, directly, before the justification has time to form.
‘70kkisses’ is Simone Antonioni's private arithmetic made public. Five years, one person, seventy thousand moments. The math is simple. The weight of it is not.
Five artists propose a world where human flesh and geological matter share the same origin. The body stops being a boundary. It becomes a site of radical reciprocity.
A drama in which a digital threat erupts into real-world violence, overwhelming an independent online retailer.
Between the visible and the sensed lies a quiet territory where light bends, air moves, and perception begins to question itself.
“K-Now: Korea Video Art Today”, at MASI Lugano, until 19 July 2026, answers through the works of eight artists and one collective, tracing unresolved wars, algorithmic labour, and diasporic identities. A generation born between the 1970s and early 1990s, witnesses to democratisation and digital acceleration, turns the screen into a territory of memory, critique, and restless self-interrogation.
Giovanna Silva “L'ultima estate in città”: a dialogue between Giovanna Silva's urban photography and the ceramics of Officine Saffi Lab.
ASICS SportStyle and C.P. Company return with the GEL-QUANTUM™ 360 I. Japanese engineering meets Italian design intelligence in a silhouette built for the city and everything it demands.
Freedom, femininity, and a refusal to be polished. Ottolinger FW26 gave women permission to take up space, make questionable choices, and look extraordinary doing it.
Trashy Clothing’s FW26 Paris debut had Mia Khalifa on the runway and 36 reasons/looks to pay attention to fashion’s most politically charged label right now.
A piece of furniture. A few old objects. The whole architecture of who we are. Family is not chosen, yet it holds everything no algorithm will ever reach.
Tokyo meets Paris. grounds AW26 defies gravity once more, sculptural soles, surreal silhouettes, and Mikio Sakabe’s radical vision of what it means to walk the earth.