Ana María Caballero is in L.A. when we speak. She regularly posts her hectic travel and performance schedule across Instagram, LinkedIn, and X: a long way from the poet nestled in a quiet studio.
All in art
Ana María Caballero is in L.A. when we speak. She regularly posts her hectic travel and performance schedule across Instagram, LinkedIn, and X: a long way from the poet nestled in a quiet studio.
Xu Zhen has spent nearly three decades making work, building institutions and, at one point, turning his own name into a brand. Now, with ink and silk in hand, he speaks about the artist as one of many possible versions.
September in South Tyrol, as Transart26 staged it. We picked three works from the festival programme: Florentina Holzinger's performers swung from bells above a stadium. In Kurtatsch, Xiu Xiu and Matthew Herbert shared a night of noise. Romeo Castellucci handed each of us a mask to keep for life.
With over 300 events across the capital, Berlin’s art ecosystem remains as dynamic as ever. COEVAL curates the definitive must-sees from this year’s edition—featuring pivotal works and retrospectives by Kira Freije, Maurizio Cattelan, Trisha Brown, Arash Nassiri, and Carrie Mae Weems. Check out the institutions, project spaces, and underground interventions of the season.
At Kunsthalle Bern the inaugural un—realized Art Prize 2026 went to Kollektiv Haus Gawaling with “The Fifth Sister”, a project built from family archives, oral memory and collective authorship. Rafal Skoczek was one of the five shortlisted artists with his work “A very brutal red carpet?” made for a courtyard in Zurich.
On September 12, Nike SNKRS filled Via Sammartini 72 with eleven artists and one sneaker, the Air Max Dolce. We stopped five of them in the room to ask about memes, archives, edible hearts and what the 2000s still teach us about looking.
Su Hui-Yu's Vroom Vroom : A Total Story treats mass media as an apparatus that has outlived its ideology yet kept its grip. Reshooting the censored variety shows of his Taiwanese childhood across a five-hour live broadcast, curated by Tofu Collective at Art Hub Copenhagen, Hui-Yu collapses the distinction between spectatorship and participation.
From August 1 to 25, San Benedetto del Tronto hosts Infinito Pratico, organized by Adriatica Contemporanea. Eleven artists interrogate repetition, locality, and Leopardi metaphysical legacy at Palazzina Azzurra, connecting past conceptual lineages to immediate regional realities.
Creative director, publisher, and self-taught researcher, Roberto Rigon has spent years turning technology's blind spots into print. He reflects on data, democracy, and the value of thinking in decades.
William Victorino builds sculpture from the wreckage of painting. Trained under Claude Rutault's radical protocols and years of Beaux-Arts drawing, the French Brazilian artist turns raw wood into frames the public can walk through, touch, and reassemble on their own terms.
(Future) Paradise Gardens. The tenth edition of Biennale Gherdëina inaugurates in the heart of the Dolomites as a diffuse event running until 13 September.
The exhibition Dal sonno by Nicola Maria Patitucci, hosted by Cane Studio, examines the perception and implications of the unconscious, converting the dream state into an intimate and unsettling visual journey.
At SOLO CSV in Madrid, a new exhibition space has inaugurated: Basement, with works by Cezar Mocan, artist and programmer winner of SOLO AI ‘25 Award, on the limits of data technologies.
Eva & Franco Mattes bring their hilarious yet terrifying web critiques to Venice with RAGE BAIT, showing how algorithms happily harvest our daily internet anger for pure profit.
‘The Silence of the Mole’ reimagines a folkloric icon as a Marxist underdog. The film investigates the Kafkaesque machinery of national representation at the Biennale, where muted instruments signal a refusal to serve cultural diplomacy and statecraft.
Artist Rabin Huissen records accounts of the human form as it is conditioned by its physical gestures, the surroundings in which these are acted, and the everyday conditions that quietly regulate lived experience.
Mat Dryhurst makes software the way others make manifestos. Curated alongside Holly Herndon, Hans Ulrich Obrist, and Adriana Rispoli, his Attention Guild installation at Palazzo Diedo is the clearest version yet of what he calls protocol art: a parliament of humans and agents, and a gift economy that runs.
Joan Horrach moved from ballet to Bruce Nauman, and the distance turned out to be short. The Palma-born artist makes work where the body is both subject and instrument, and where ‘the act of waiting’ proves to be the hardest act of all.
The fundamental starting point for the work of Enzo e Barbara, an artistic duo formed by Padua-based artists Greta Fabrizio (born in 2000) and Riccardo Lodi (born in 1998), is a study of the relationships between human development—technological, industrial, and infrastructural—and natural ecosystems, observing how the materials, substances, and processes that traverse a place influence what grows and dwells within it.
With Poupée de Peau, currently on view at Alo Galerie until May 30, Noémie Ninot explores how patriarchal beauty standards shape femininity through self-portraiture, repetition, and artificiality.