All in art
Presented at the 61st Venice Biennale as a collateral event organized by the Institut Ramon Llull, Paper Tears by Claudia Pagès Rabal is a manifold installation that examines how watermarks have functioned as tools of power and institutional authority throughout history.
What remains after provocation? Reading SEAWORLD VENICE by Florentina Holzinger.
Julian-Jakob Kneer presents attaché briefcases as screens for fantasy. These sealed objects project authority and perversion, trapping the viewer between masculine discipline and lavish, corrupted artifice.
Crystal Crypt gave Milan Design Week its most unsettling room. Luciani's cyberpunk rituals met Wood's Mille Fleurs in a Baccarat that felt genuinely alive, and genuinely mortal.
Moving beyond the notion of space as a mere shell, Benni Bosetto’s Rebecca functions as an autonomous organism. Through July 2026, the exhibition navigates the porous membranes between intimacy and feminine memory.
Kushtrim Memeti turns the Trepça mine into testimony. Minerals, metal, and broken bodies speak where official language stays silent. Resistance surfaces through weight, friction, and refusal.
“Tide of Returns” opens the 2026 season of Ocean Space in the former Church of San Lorenzo in Venice, from late March through October 11. Like the tides themselves, the exhibition carries back what once seemed lost: objects, memories, identities torn from the communities that had given them life.
Cao Fei turns a rice field into a philosophical question. Drones replace gods. Algorithms rewrite ancient rituals. Milan, April–September 2026. Fondazione Prada.
Six years later. Same rabbit hole. Much darker, Very cursed down here. Clusterduck spent six years going down the rabbit hole of internet culture. Here is what they found. Clusterduck, six years inside the rabbit hole of internet culture. Clusterduck, six years inside the (rabbit) hole of internet culture.
With Smooth Operator, Villiam Miklos Andersen questions the very idea of comfort, stripping it of any reassuring automatism. In his practice, what welcomes us is never entirely innocent: well-being, rest, and care are always also the product of structures that discipline bodies, regulate behavior, and define who is truly allowed to feel included within a system.
Gottfried Helnwein makes you look at what most people prefer to ignore. His first major retrospective in Spain opens now at SOLO Independencia, Madrid.
Vittorio Valigi begins with subtraction. His design logic, whether for a client or an exhibition, operates by removing what does not belong until only the irreducible remains. Ten years of living inside an altered body taught him exactly what that means.
Alessandro Aprile’s first solo show exhibition at MATTA in Milan unfolds as a suspended field: bodies surface and dissolve, thresholds flicker, and painting becomes a slow emergence of unstable, shared states of being.
The West was built on a story. This exhibition, running at 10·Corso·Como until April 7, lines up the photographers who believed it, and those who knew better.
Five artists propose a world where human flesh and geological matter share the same origin. The body stops being a boundary. It becomes a site of radical reciprocity.
Between the visible and the sensed lies a quiet territory where light bends, air moves, and perception begins to question itself.
“K-Now: Korea Video Art Today”, at MASI Lugano, until 19 July 2026, answers through the works of eight artists and one collective, tracing unresolved wars, algorithmic labour, and diasporic identities. A generation born between the 1970s and early 1990s, witnesses to democratisation and digital acceleration, turns the screen into a territory of memory, critique, and restless self-interrogation.
Giovanna Silva “L'ultima estate in città”: a dialogue between Giovanna Silva's urban photography and the ceramics of Officine Saffi Lab.
sikau/pubalova's exhibition challenges the body through the microbial, haptic, sonic, and olfactory. At Kunsthalle Praha, what it absorbs becomes a means of knowledge: ecological grief as a collective, contradictory, and incommensurable condition.
Yoniro returns with a new and ambitious project, a concept album that explores and fuses the tradition of the Taranta with electronic sound research.
