All in art
Oh de Laval’s work has always felt like a secret someone lets you in on: intimate, a little defiant, and full of emotion that doesn’t beg to be understood. I Miss When People Had Secrets feels close to the skin. It’s about what we hide, what we show, and the strange beauty of not always being fully seen.
In this conversation, held after a new performance presented by FIBER and De Brakke Grond, Vica Pacheco weaves clay, shadow, and ancestral sound into a language where memory, gesture, and the body remain central.
At the start of the concert, when that jagged shard of rock at the top of the scenographic mountain began to shift - slowly revealing itself as a bulbous, otherworldly, post-apocalyptic creature with a microphone and a fierce will in its hands - I thought to myself: “Okaaay - this is the one I need to interview… you can’t exactly call Livia Rita an unremarkable being…”
Diagrams: supposedly neutral instruments that organize the world. The exhibition by Fondazione Prada and OMA/AMO in Venice reflects on data, graphs, and data visualization as devices of thought, ideology, and representation, across 800 years of human history.
Werner Neuhaus makes art with chainsaws: he carves one of the world's hardest woods to recreate sublime microscopic unicellular structures in giant size.
Maghras traces the entangled timelines of land, labor, and legacy in Al Ahsa—Saudi Arabia’s first appearance at Triennale Milano, quietly staking ground with precision and purpose.
A prying but secret eye obsessively spies on the corners of things, living rooms, bedrooms. His painting carries something evil, delicately diabolical.
Anastasia Vladimirskaya’s work slips between the mechanical and the emotional. In her hands, AI becomes instinctive, shaping fragile images that feel unsettling and achingly sentient.
Through his intimate yet provoking pieces, Joan invites you to engage with his raw and personal works whose creations confront the delicate intersections of personal history, emotional depth, and artistic interpretation.
Fragile Interfaces: Song Xin’s Exploration of Skin, Technology, and the Subconscious.
Dennis works on technology, nature, and creativity to craft immersive, interactive experiences. From kinetic installations to generative music, his work redefines digital art through the lens of science and algorithms.
When the World Burns, Let Artists Speak.
A few from Art Genève 2025, a fair of quality and finesse, where painting takes center stage. A selection of galleries and outstanding guests, along with excellent hospitality that leaves no service or comfort lacking (as one might expect). Here’s a little review of what we saw.
The Load Gallery presents Neo Botanica, an evocative exploration of nature’s evolution through contemporary art. This exhibition weaves organic forms with technology, questioning materiality, adaptation, and human intervention in ecological aesthetics.
"Art enables us to find ourselves and lose ourselves at the same time," mused Thomas Merton—a sentiment that resonates profoundly within the symbiotic partnership between Istituto Marangoni and Keil Space.
Cyprus-born artist Domenika builds mechanical sculptures and cyber-prosthetics that explore dualities and liminal states.
‘One cannot observe if they are not part of the experiment’ – Guillermo Santomà on architecture as a continuous performance.
Transcending the Self: Joshua’s Artistic Journey Through Movement, Healing, and Identity.
"You Can Only Kill Us Once": Neo-Grunge Aesthetics and the Opioid Epidemic at Trauma in Berlin.
Nocturnal Visions by Noelle Lee reimagines esotericism, folklore, and artistic inspiration through intricate, thoughtfully assembled drawings and installations.
